{"id":172,"date":"2025-07-27T17:04:42","date_gmt":"2025-07-27T17:04:42","guid":{"rendered":"https:\/\/anita-kontrec.com\/?page_id=172"},"modified":"2025-07-27T17:33:03","modified_gmt":"2025-07-27T17:33:03","slug":"about-me","status":"publish","type":"page","link":"https:\/\/anita-kontrec.com\/?page_id=172","title":{"rendered":"About me"},"content":{"rendered":"\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20190413_174846-768x1024.jpg\" alt=\"\" class=\"wp-image-209\" srcset=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20190413_174846-768x1024.jpg 768w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20190413_174846-225x300.jpg 225w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20190413_174846-1152x1536.jpg 1152w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20190413_174846-1536x2048.jpg 1536w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20190413_174846-1200x1600.jpg 1200w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20190413_174846.jpg 1875w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"450\" src=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/AK-_-u-ateljeu-u-Kolnu.jpg\" alt=\"\" class=\"wp-image-210\" srcset=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/AK-_-u-ateljeu-u-Kolnu.jpg 600w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/AK-_-u-ateljeu-u-Kolnu-300x225.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"750\" src=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/5b-gr.jpg\" alt=\"\" class=\"wp-image-201\" srcset=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/5b-gr.jpg 1000w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/5b-gr-300x225.jpg 300w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/5b-gr-768x576.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"750\" src=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/akaplava.jpg\" alt=\"\" class=\"wp-image-195\" srcset=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/akaplava.jpg 1000w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/akaplava-300x225.jpg 300w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/akaplava-768x576.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<h5 class=\"wp-block-heading\">Artist Statement<\/h5>\n\n\n\n<p>I make art because it enables me to express my real authentic self \u2013 my feelings, my imagination and thoughts as well as my visions about the society I would like to live in. My vision is to contribute to cultural diversity with my creative energy and inspire others to express&nbsp;their creative potential too. In this way everybody can participate in shaping a more tolerant, open and emphatic society of creative&nbsp;and responsible individuals. I see this goal as major purpose of art in general and of my art in particular.<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Biography<\/h5>\n\n\n\n<p>Anita Kontrec (born 1954, Zagreb, Croatia) moved to Cologne, Germany in 1989 short before the war in her country. Being herself a nomadic artist, the topic of migrations, cultural&nbsp;identity and communication have become a recurrent theme in her work. In cooperation with Museum Ludwig, Cologne, she dedicated her second solo exhibition&nbsp;in Cologne (\u201cEarth-War-Ashes\u201d ,1992) to the problem of refugees and devastation of cultural&nbsp;heritage. Having both academic and artistic background Anita Kontrec often combines the language of science and literature with the language of visual arts.<br><\/p>\n\n\n<span><a onclick=\"read_toggle(675596205, 'Read More', 'Read Less'); return false;\" class=\"read-link\" id=\"readlink675596205\" style=\"readlink\" href=\"#\">Read More<\/a><\/span>\n<div class=\"read_div\" id=\"read675596205\" style=\"display: none;\"> In her exhibitions and art projects she is working interdisciplinary using different media of visual arts (conceptual works with text, sculpture, painting, installation and performance)  to express her artistic vision. Her vision is to use art as means of communication which is beyond ideology, communication which treats cultural diversity as enrichment and not as source of conflict in the society. Her most recent project \u2013 \u201cHouses and Dreams\u201d has started in 2017 and has been shown in Venice ( in context of 57th Biennale Venezia), London (Dulwich College), Paris (Cite international des arts) and in some other European cities. After her retrospective in Zagreb in 2016 Anita Kontrec moved back to her home town but continues with her artistic career in Europe and USA. She had her first solo exhibition in USA in John David Mooney Foundation in Chicago in 2019.<br \/>\nArt is for me an act of freedom to articulate my personal as well as collective experience, memory and vision by means of visual art: sculpture, painting, installation and performance. In my art projects, talks and workshops my recurrent topics since mid 90s are migrations, communication and questions of personal and cultural identity. I am convinced that authentic works of art do have an impact on personal and social life. Art does make a difference. My goal as visual artist is to make this difference visible. <\/div>\n\n\n\n<figure class=\"wp-block-embed alignwide is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Anita Kontrec - Art Biography Part 1\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/teJa3V7Ch3s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Selected Solo Exhibitions<\/strong><\/h5>\n\n\n\n<p><strong>2019<\/strong>\u00a0\u2013 Script and Architecture (with Ivan Me\u0161trovi\u0107),\u00a0<a href=\"https:\/\/www.mooneyfoundation.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">John David Mooney Foundation<\/a>, Chicago<br><strong>2018\u00a0<\/strong>\u2013 Healing Houses,\u00a0<a href=\"https:\/\/hr-hr.facebook.com\/lavalnugent\/\" target=\"_blank\" rel=\"noreferrer noopener\">Laval Nugent Gallery,<\/a>\u00a0Zagreb<br><strong>2017 \u2013\u00a0<\/strong>Project HOUSES AND DREAMS (Personal and Group Exhibitions):Personal Structures, Palazzo Mora Venice \/\u00a0<a href=\"https:\/\/ecc-italy.eu\/locations\/palazzomora\" target=\"_blank\" rel=\"noreferrer noopener\">57. Biennale Venezia,<\/a>\u00a0Italy<br><a href=\"https:\/\/www.forumtomizza.com\/hr\/\">Forum Tomizza,<\/a>\u00a0Palazzo Gravisi, Kopar, Slovenia<br><a href=\"https:\/\/vizkultura.hr\/artodrom-anita-kontrec\/\" target=\"_blank\" rel=\"noreferrer noopener\">Dulwich College<\/a>, London, UK<br><strong>2016<\/strong>\u00a0\u2013 Kru\u017eni tok\/ Kreisverkehr\/ Roundabout \u2013 Retrospective,\u00a0<a href=\"https:\/\/www.hdlu.hr\/tag\/galerija-prsten\/\" target=\"_blank\" rel=\"noreferrer noopener\">Gallery \u201cPrsten\u201d<\/a>\u00a0Zagreb, Croatia<br><strong>2014<\/strong>\u00a0\u2013 Angels,\u00a0<a href=\"https:\/\/www.palmizana.com\/private-art-collection\/\" target=\"_blank\" rel=\"noreferrer noopener\">Art Meneghello,<\/a>\u00a0Palmi\u017eana, Croatia<br>Stripes &amp; Dots,\u00a0<a href=\"http:\/\/www.arturgallery.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Gallery Arthur,<\/a>\u00a0Dubrovnik, Croatia<br><strong>2012\u00a0<\/strong>\u2013 ArcheFarb,\u00a0<a href=\"https:\/\/www.tbg.de\/\" target=\"_blank\" rel=\"noreferrer noopener\">Kunst in Technologie Park, B. Gladbach<\/a>, Germany<br>Art Project Be Happy Gallery, Haidakhan, India<br><strong>2010<\/strong>\u00a0\u2013 Nevidljiva Ru\u017ea \/ Invisible Rose,\u00a0<a href=\"https:\/\/mestrovic.hr\/\" target=\"_blank\" rel=\"noreferrer noopener\">Atelijer Me\u0161trovi\u0107<\/a>, Zagreb, Croatia<br><\/p>\n\n\n<span><a onclick=\"read_toggle(1716039431, 'Read More', 'Read Less'); return false;\" class=\"read-link\" id=\"readlink1716039431\" style=\"readlink\" href=\"#\">Read More<\/a><\/span>\n<div class=\"read_div\" id=\"read1716039431\" style=\"display: none;\"> <strong>2008<\/strong> \u2013 Schriftlandscaften\/ Scripts and Landscapes; <a href=\"https:\/\/artdepot.co.at\/en\/\">Gallery Art Depot<\/a>, Austria<br \/>\n<strong>2007<\/strong> \u2013 More-Amore, <a href=\"http:\/\/palmizana.com\/private-art-collection\/\">Art Meneghello<\/a>, Palmi\u017eana, Croatia<br \/>\n<strong>2006<\/strong> \u2013 Recall Atlantis, <a href=\"https:\/\/karasarthub.eu\/galerija-karas\/\">Galerija Karas<\/a>, Zagreb, Croatia<br \/>\n<strong>2004<\/strong> \u2013 Bildobjekte und Skulpturen, <a href=\"https:\/\/www.facebook.com\/AlexaJansenGalerie-415759265247071\/\">Alexa Jansen Galerie<\/a>, Cologne, Germany<br \/>\n\u2013 Skulptur Draussen, Cologne, Germany<br \/>\n<strong>1992<\/strong> \u2013 Wars and Ashes (with S. Raff), Town Hall, Cologne, Germany<br \/>\n<strong>1990<\/strong> \u2013 Earth and Sound (with S. Raff), Eurozentrum, Cologne, Germany<br \/>\n<strong>1989<\/strong> \u2013 Fortresses, Galerija PM, Zagreb, Croatia<br \/>\n\u2013 Landscapes, Galerija Zagreb, Zagreb, Croatia<br \/>\n<strong>1989<\/strong> \u2013 Krajolici \/Landscapes, Art Meneghello, Palmi\u017eana, Croatia<br \/>\n<strong>1988<\/strong> \u2013 Zeitraum, Galerie am Baseler Tor, Karlsruhe, Germany<br \/>\n<strong>1986<\/strong> \u2013 Shapes of Memory, Galerija DDT, Zagreb, Croatia <\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\">\n<h6 class=\"wp-block-heading alignfull has-text-align-center\"><a href=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/Anita-Kontrec-_-portfolio-2020-3-1-1.pdf\" data-type=\"link\" data-id=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/Anita-Kontrec-_-portfolio-2020-3-1-1.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Anita Kontrec \u2013 Artist\u2019s Portfolio<\/a><\/h6>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:30%\">\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-accent-background-color has-background has-text-align-center wp-element-button\" href=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/Anita-Kontrec-_-portfolio-2020-3-1-1.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Download<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<h5 class=\"wp-block-heading\">Timeline<\/h5>\n\n\n\n<p><strong>2019<\/strong>&nbsp;\u2013 first solo exhibition in USA \/\u201dScript and Architecture\u201d,&nbsp;<a href=\"https:\/\/www.mooneyfoundation.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">John David Mooney Foundation<\/a><a href=\"https:\/\/web.archive.org\/web\/20240617201023\/https:\/\/www.mooneyfoundation.org\/\">,<\/a>&nbsp;Chicago<br><strong>2017<\/strong>&nbsp;\u2013 returned to Zagreb<br><strong>2016<\/strong>&nbsp;\u2013 Retrospective exhibition Kru\u017eni tok \/Kreisverkehr\/Roundabout in&nbsp;<a href=\"https:\/\/www.hdlu.hr\/tag\/galerija-prsten\/\" target=\"_blank\" rel=\"noreferrer noopener\">Gallery \u201cPrsten\u201d<\/a>&nbsp;\/ Me\u0161trovi\u0107 Pavilion, Zagreb<br><strong>From 2000 till today<\/strong>&nbsp;\u2013 working with numerous Croatian and European art institutions, museums and galleries<br><strong>1989<\/strong>&nbsp;\u2013 moved to Cologne and continued her art career in Germany working with some leading museums and art institutions such as&nbsp;<a href=\"https:\/\/web.archive.org\/web\/20240617201023\/https:\/\/www.museum-ludwig.de\/\">M<\/a><a href=\"https:\/\/www.museum-ludwig.de\/\" target=\"_blank\" rel=\"noreferrer noopener\">useum Ludwig<\/a><a href=\"https:\/\/web.archive.org\/web\/20240617201023\/https:\/\/www.museum-ludwig.de\/\">,<\/a>&nbsp;Cologne,&nbsp;<a href=\"https:\/\/ludwigforum.de\/\" target=\"_blank\" rel=\"noreferrer noopener\">Ludwig Forum fue<\/a><a href=\"https:\/\/ludwigforum.de\/\">r internationale Kunst,<\/a>&nbsp;Aachen; Frauenmuseum, Bonn<br><strong>1986<\/strong>&nbsp;\u2013 first solo exhibition \u201cShapes of Memory\u201d in DDT Gallery, Zagreb<br><strong>1982 \u2013 1989<\/strong>&nbsp;\u2013 worked on her fire clay sculpture in the brick factory \u201cZagorka\u201d near Zagreb<br><strong>1972-1979<\/strong>&nbsp;\u2013 studied literature, sociology and cultural anthropology at the Faculty of Philosophy and attended sculpture classes at Academy of Fine Arts in Zagreb<br><strong>1954&nbsp;<\/strong>\u2013 born in Zagreb, Croatia<\/p>\n\n\n\n<h6 class=\"wp-block-heading\">Studio &amp; Art Residences<\/h6>\n\n\n\n<p>I am a nomadic artist who has lived and worked in&nbsp;both my home-lands \u2013 Germany and Croatia \u2013 for the last three decades. During that time I was also working as an artist- in -residence in several other countries&nbsp; \u2013 France, UK, USA. Those were the most inspiring experiences \u2013 meeting many international artists and curators, teachers and students \u2013 I have learned a lot from all of them, which has had a great impact on&nbsp;my perception and practice of art. I am very grateful to&nbsp;all of&nbsp;them!<\/p>\n\n\n\n<p><strong>2019<\/strong>&nbsp;\u2013&nbsp;<a href=\"https:\/\/www.mooneyfoundation.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">John David Mooney Foundation<\/a>, Chicago<br><strong>2018<\/strong>&nbsp;\u2013&nbsp;<a href=\"https:\/\/www.mooneyfoundation.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">John David Mooney Foundation<\/a>, Chicago<br><a href=\"https:\/\/www.citedesartsparis.net\/\" target=\"_blank\" rel=\"noreferrer noopener\">Cit\u00e9 internationale des arts<\/a>, Paris<br><strong>2017<\/strong>&nbsp;\u2013&nbsp;<a href=\"https:\/\/www.dulwich.org.uk\/\" target=\"_blank\" rel=\"noreferrer noopener\">Dulwich College<\/a>, London<br><strong>2013<\/strong>&nbsp;\u2013&nbsp;<a href=\"https:\/\/www.spinnerei.de\/\" target=\"_blank\" rel=\"noreferrer noopener\">Spinnerei<\/a>, Leipzig<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-4 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"202\" src=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180621_201353-1024x768.jpg\" alt=\"\" class=\"wp-image-202\" srcset=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180621_201353-1024x768.jpg 1024w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180621_201353-300x225.jpg 300w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180621_201353-768x576.jpg 768w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180621_201353-1536x1152.jpg 1536w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180621_201353-2048x1536.jpg 2048w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180621_201353-1200x900.jpg 1200w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180621_201353-1980x1485.jpg 1980w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Chicago, 2019<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" data-id=\"203\" src=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180628_140421-1024x1024.jpg\" alt=\"\" class=\"wp-image-203\" srcset=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180628_140421-1024x1024.jpg 1024w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180628_140421-300x300.jpg 300w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180628_140421-150x150.jpg 150w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180628_140421-768x768.jpg 768w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180628_140421-1536x1536.jpg 1536w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180628_140421-2048x2048.jpg 2048w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180628_140421-1200x1200.jpg 1200w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180628_140421-1980x1980.jpg 1980w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Chicago, 2019<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"644\" data-id=\"204\" src=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180702_170156-1024x644.jpg\" alt=\"\" class=\"wp-image-204\" srcset=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180702_170156-1024x644.jpg 1024w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180702_170156-300x189.jpg 300w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180702_170156-768x483.jpg 768w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180702_170156-1536x965.jpg 1536w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180702_170156-1200x754.jpg 1200w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180702_170156.jpg 1930w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Chicago, 2019 w\/ John David Mooney<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"207\" src=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20181002_162945_2-1024x768.jpg\" alt=\"\" class=\"wp-image-207\" srcset=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20181002_162945_2-1024x768.jpg 1024w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20181002_162945_2-300x225.jpg 300w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20181002_162945_2-768x576.jpg 768w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20181002_162945_2-1536x1152.jpg 1536w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20181002_162945_2-2048x1536.jpg 2048w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20181002_162945_2-1200x900.jpg 1200w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20181002_162945_2-1980x1485.jpg 1980w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Paris, 2018<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"809\" height=\"1024\" data-id=\"205\" src=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180904_211953_3-809x1024.jpg\" alt=\"\" class=\"wp-image-205\" srcset=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180904_211953_3-809x1024.jpg 809w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180904_211953_3-237x300.jpg 237w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180904_211953_3-768x972.jpg 768w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180904_211953_3-1213x1536.jpg 1213w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180904_211953_3-1618x2048.jpg 1618w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180904_211953_3-1200x1519.jpg 1200w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180904_211953_3-1980x2507.jpg 1980w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180904_211953_3-scaled.jpg 2022w\" sizes=\"auto, (max-width: 809px) 100vw, 809px\" \/><figcaption class=\"wp-element-caption\">Paris, 2018<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" data-id=\"206\" src=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180929_224916_2-768x1024.jpg\" alt=\"\" class=\"wp-image-206\" srcset=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180929_224916_2-768x1024.jpg 768w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180929_224916_2-225x300.jpg 225w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180929_224916_2-1152x1536.jpg 1152w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180929_224916_2-1536x2048.jpg 1536w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180929_224916_2-1200x1600.jpg 1200w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180929_224916_2-1980x2640.jpg 1980w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20180929_224916_2-scaled.jpg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption class=\"wp-element-caption\">Paris, 2018<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"817\" height=\"1024\" data-id=\"208\" src=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20181007_115020_2-817x1024.jpg\" alt=\"\" class=\"wp-image-208\" srcset=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20181007_115020_2-817x1024.jpg 817w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20181007_115020_2-239x300.jpg 239w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20181007_115020_2-768x963.jpg 768w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20181007_115020_2-1225x1536.jpg 1225w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20181007_115020_2-1634x2048.jpg 1634w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20181007_115020_2-1200x1504.jpg 1200w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20181007_115020_2-1980x2482.jpg 1980w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20181007_115020_2-scaled.jpg 2042w\" sizes=\"auto, (max-width: 817px) 100vw, 817px\" \/><figcaption class=\"wp-element-caption\">Paris, 2018<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"614\" height=\"1024\" data-id=\"198\" src=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/IMG_20171106_131403-614x1024.jpg\" alt=\"\" class=\"wp-image-198\" srcset=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/IMG_20171106_131403-614x1024.jpg 614w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/IMG_20171106_131403-180x300.jpg 180w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/IMG_20171106_131403-768x1280.jpg 768w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/IMG_20171106_131403-922x1536.jpg 922w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/IMG_20171106_131403-1229x2048.jpg 1229w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/IMG_20171106_131403-1200x2000.jpg 1200w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/IMG_20171106_131403-scaled.jpg 1536w\" sizes=\"auto, (max-width: 614px) 100vw, 614px\" \/><figcaption class=\"wp-element-caption\">London \u2013 Dulwich College, 2017<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"614\" data-id=\"199\" src=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/IMG_20171109_114044-1024x614.jpg\" alt=\"\" class=\"wp-image-199\" srcset=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/IMG_20171109_114044-1024x614.jpg 1024w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/IMG_20171109_114044-300x180.jpg 300w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/IMG_20171109_114044-768x461.jpg 768w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/IMG_20171109_114044-1536x922.jpg 1536w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/IMG_20171109_114044-2048x1229.jpg 2048w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/IMG_20171109_114044-1200x720.jpg 1200w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/IMG_20171109_114044-1980x1188.jpg 1980w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">London \u2013 Dulwich College, 2017<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"614\" data-id=\"200\" src=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/IMG_20171109_121257-1024x614.jpg\" alt=\"\" class=\"wp-image-200\" srcset=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/IMG_20171109_121257-1024x614.jpg 1024w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/IMG_20171109_121257-300x180.jpg 300w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/IMG_20171109_121257-768x461.jpg 768w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/IMG_20171109_121257-1536x922.jpg 1536w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/IMG_20171109_121257-2048x1229.jpg 2048w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/IMG_20171109_121257-1200x720.jpg 1200w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/IMG_20171109_121257-1980x1188.jpg 1980w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">London \u2013 Dulwich College, 2017<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"686\" height=\"1024\" data-id=\"211\" src=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20190108_165418-686x1024.jpg\" alt=\"\" class=\"wp-image-211\" srcset=\"https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20190108_165418-686x1024.jpg 686w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20190108_165418-201x300.jpg 201w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20190108_165418-768x1146.jpg 768w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20190108_165418-1030x1536.jpg 1030w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20190108_165418-1373x2048.jpg 1373w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20190108_165418-1200x1790.jpg 1200w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20190108_165418-1980x2954.jpg 1980w, https:\/\/anita-kontrec.com\/wp-content\/uploads\/2025\/07\/20190108_165418-scaled.jpg 1716w\" sizes=\"auto, (max-width: 686px) 100vw, 686px\" \/><figcaption class=\"wp-element-caption\">Zagreb studio<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Art Critics&nbsp;<strong>about my Work<\/strong><\/h5>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Dr. Peter Lodermeyer, art historian about Picture Objects&nbsp;<\/strong><\/p>\n\n\n\n<p>&nbsp;\u201cWhen Kontrec began using synthetic resin with pigments for her work in 2004, it seemed to be a real cut, almost a break in her work. Since that time, she has been focusing on color as a new theme in her work. However, this has not meant a shift from sculpture to painting, because she does not use color for merely painting flat surfaces. For her is color pure energy. In her picture-objects, the sculptural themes of space, volume, material and texture continue to play an important role.\u201d&nbsp; &nbsp; &nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>An\u0111elko Hundi\u0107, Art historian, Zagreb<\/strong><\/p>\n\n\n\n<p>\u201cThe main feature of Anita\u2019s early work is, in my opinion, her research into the poetics of visual (language), looking for forms of transmitting metaphysical and irrational messages as an intuitive experience rather than rational understanding. Thirty years after her first solo exhibition her works and ways of artistic expression are still inspiring due to their authentic artistic energy and freshness.\u201d<\/p>\n\n\n\n<p><strong>Dr. G. Kolber, Museum Ludwig \u2013 about the exhibition \u201cEarth -War- Ashes\u201d, Cologne 1992<\/strong><\/p>\n\n\n\n<p>\u201cOn the ground floor of the Cologne City Hall Spanische Bau, right across from the historic City Hall of Cologne, a procession of dark figures seems to have halted mid-step. These figures are at a human scale, appearing as pairs or single persons, mostly women and children. Their heads are bent, looking down, in resignation, astonishment, and consternation.&nbsp;<\/p>\n\n\n<span><a onclick=\"read_toggle(1241572471, 'Read More', 'Read Less'); return false;\" class=\"read-link\" id=\"readlink1241572471\" style=\"readlink\" href=\"#\">Read More<\/a><\/span>\n<div class=\"read_div\" id=\"read1241572471\" style=\"display: none;\"> Their bodies are stiff, but due to the reduced language of form they do not radiate hopelessness but dignity. Croatian artist Anita Kontrec has created this procession of suffering refugees for her exhibition in Cologne wanting to draw attention to the senseless war in Yugoslavia. She has shown this catastrophe in a very strong artistic way by presenting mute figures in their dark, monolithic gravity, a black sadness expressed through their body language. She did not give them any individual features because they stand for all victims of war in many other parts of the world. The plastically formed figures of war victims remind of August Macke\u2019s painting \u201cTaking Leave\u201d (\u201cAbschied\u201d) which can be seen in the Museum Ludwig in Cologne.\u201d <\/div>\n\n\n\n<p><strong>Dr. Aleksander Flaker, University&nbsp;of Zagreb \u2013 about my exhibition&nbsp; RECALL BYBLOS in Zagreb&nbsp;<\/strong><\/p>\n\n\n\n<p>\u201cIn this exhibition the Phoenitians are a big metonimy, pars pro toto, standing for all cultures which have made great contribution to mankind and than disappeared. Phoenicians have left us 22 letters which is quite a big contribution when we think of the fact that it has provided basis for writing texts in numerous contemporary languages.&nbsp;<\/p>\n\n\n<span><a onclick=\"read_toggle(1195958290, 'Read More', 'Read Less'); return false;\" class=\"read-link\" id=\"readlink1195958290\" style=\"readlink\" href=\"#\">Read More<\/a><\/span>\n<div class=\"read_div\" id=\"read1195958290\" style=\"display: none;\"> \/\u2026..\/ Although Recall Byblos is one more exhibition which is taking place in the cellar, it stands at the same time for the exit from the Croatian cellar. It takes us to European artistic equality and \u201cbrotherhood\u201d based on reason and consciousness. It is by no means a scream for help to get us out of the cellar for once and for all. This exhibition stands for the wish and intention to be connected to the general European cultural codes on intellectual and artistic level, to be present in Europe intellectually and morally not only because of promoting our own interests and creating a more favourable image of ourselves. We want to do that because of our own Croatian cultural identity. \u201c <\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Iva K\u00f6rbler, art historian, Zagreb&nbsp;\/ from the preface to monography \u201cKru\u017eni tok \/ Kreisverkehr\/ Roundabout\u201d, 2016&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p>\u201cOn the Croatian artistic scene the conceptual tendencies of similar ways of thinking can be found in the records, notebooks and black boards of the distinguished artist Dimitrije Ba\u0161i\u010devi\u0107 Mangelos, one of the founders of conceptual art in Croatia. However, unlike the work of Anita Kontrec, Mangelos\u2019 artwork is much closer to the tradition of the Dadaist objects,&nbsp;<\/p>\n\n\n<span><a onclick=\"read_toggle(36342959, 'Read More', 'Read Less'); return false;\" class=\"read-link\" id=\"readlink36342959\" style=\"readlink\" href=\"#\">Read More<\/a><\/span>\n<div class=\"read_div\" id=\"read36342959\" style=\"display: none;\"> which at the same time often carries a poetic-philosophical ontological component which does not exclusively relate to the negation of existence and the purpose of art, but rather, it directs us to the philosophy of art, to the question of the survival of aesthetics, as well as to the artist\u2019s intrinsic drive for artistic creation. This very same component may be traced in the early work of Anita Kontrec.  \/\u2026\/Ever since the 1970s the artist Anita Kontrec has continually kept records, not only in the form of a classic piece of text or a diary, but also adding sentences, thoughts and quotes to photographs, sketches and drawings, and she has played with the photocopies of records and self-portraits. That is the beginning of her complex approach to artistic expression, where the visible and the invisible, concrete and metaphorical \/ symbolic meanings meet. In this early period, Anita Kontrec does not treat her work as works of art or actions, but rather as a natural extension of thought processes, even though these records in the manner of their representation already bear the features of the Fluxus movement. She, to be exact, does not make a distinction between life and an artist\u2019s work, but she uses intermediality the way the artist Dick Higgins defined it in 1966: \u201cit means free usage of all art disciplines when articulating a certain artistic idea\u2026 When talking about synthesis, Fluxus aims to reconcile the eternal antagonism between art and life.\u201d  \/\u2026..\/  \u201cIn some primal, archetypal dimension, Anita Kontrec goes back in circles, always following the subject of the beginnings of the Mediterranean and European civilizations that communicate with the present world ( but also with the worlds beyond), by means of the letter, syllable and word. Her sculptures are an intimate homage to the Tower of Babel, but also to the mystical old Croatian ruins, just like in the words and letters that she applies or carves into shapes or papers there are hidden ancient forgotten scripts, and an awareness of the complexity of Sanskrit, Phoenician and Japanese scripts, Glagolitsa or Bosnian Cyrillic scripts. For, a letter is a destiny \u2013 much like there is worth in an encyclopedia or someone\u2019s intimate diary, depending on who is writing it and in what moment and under what socially and historically turbulent circumstances. Even when we fall silent before the disasters of this world, we still have the opportunity to record our thoughts, attitudes and feelings that connect us with others around us, far beyond the reaches of our time-and-space limitation. \u201d <\/div>\n\n\n\n<p><strong>Iva K\u00f6rbler, about my picture objects&nbsp;<\/strong><\/p>\n\n\n\n<p>\u201cIn only two years, between 2004 and 2006, the artist created a series of picture-objects that predominantly consist of two shades of pigments, combined in utterly unpredictable, atypical pairs of colours, beyond the strict rules of complementariness or contrast. \/\u2026\/&nbsp; Colour, as pure energy, receives in these works an entirely new dimension; a semi-transparent character of polyester enables the light of day or artificial light to pierce through the picture-objects, turning them into vibrant bodies of colour.<\/p>\n\n\n<span><a onclick=\"read_toggle(1959915159, 'Read More', 'Read Less'); return false;\" class=\"read-link\" id=\"readlink1959915159\" style=\"readlink\" href=\"#\">Read More<\/a><\/span>\n<div class=\"read_div\" id=\"read1959915159\" style=\"display: none;\"> Moving the threshold of perception and sensibility with the colour palette of the works that resound with the \u201cforgotten rainbows and forgotten melodies of colours\u201d (Linda Goodman) tells the viewers that what stands before them is a piece of meditative-contemplative art that is not to be taken lightly. <\/div>\n\n\n\n<p><strong>Iva K\u00f6rbler, about my work with feminist topics<\/strong><\/p>\n\n\n\n<p>&nbsp; When Anita Kontrec deals with feminine subjects through history, Anita Kontrec can never be placed within the aggressive ideology of feminism, but rather, she very subtly lets it be known that without the female energy \u2013 which appears to be passive and on the receiving end \u2013 our world would collapse entirely. In this project Anita Kontrec also uses some ready-made elements of artwork, like the Dadaist Marcel Duchamp, but she makes repeated references to Beuys\u2019 heritage, using organic substances as materials of short duration.&nbsp;<\/p>\n\n\n<span><a onclick=\"read_toggle(1591464576, 'Read More', 'Read Less'); return false;\" class=\"read-link\" id=\"readlink1591464576\" style=\"readlink\" href=\"#\">Read More<\/a><\/span>\n<div class=\"read_div\" id=\"read1591464576\" style=\"display: none;\"> In many of her works from different time cycles, Anita Kontrec builds a spiritual bond with Beuys by using similar materials \u2013 fragile, transient, organic (soap, butter\/ghee, wax), thus further developing the idea that the very material is a message, rather than just a means that carries the artistic message. The material and the work of art thus become something that is purposely and conceptually designed as \u201ctemporary and transient\u201d, and this in turn, according to the German curator Julia Ritterskamp, negates the idea that a work of art is \u201cconserved in order to last for a long period of time and where the illusionist character of our perception, beauty and earthly existence is intensified\u201d.  <\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Artist Statement I make art because it enables me to express my real authentic self \u2013 my feelings, my imagination and thoughts as well as my visions about the society I would like to live in. My vision is to contribute to cultural diversity with my creative energy and inspire others to express&nbsp;their creative potential [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"footnotes":""},"class_list":["post-172","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/anita-kontrec.com\/index.php?rest_route=\/wp\/v2\/pages\/172","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anita-kontrec.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/anita-kontrec.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/anita-kontrec.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/anita-kontrec.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=172"}],"version-history":[{"count":36,"href":"https:\/\/anita-kontrec.com\/index.php?rest_route=\/wp\/v2\/pages\/172\/revisions"}],"predecessor-version":[{"id":240,"href":"https:\/\/anita-kontrec.com\/index.php?rest_route=\/wp\/v2\/pages\/172\/revisions\/240"}],"wp:attachment":[{"href":"https:\/\/anita-kontrec.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=172"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}